(SEPT. 8)鈥擳he National Commission for Culture and the Arts (NCCA) and the Department of Foreign Affairs (DFA), in partnership with the Office of Senator Loren Legarda, announced the selection of Patrick Flores鈥 curatorial proposal titled Tie A String Around the World as the official Philippine participation at the 56th Venice Art Biennale 2015.
The esteemed panel of jurors, noted names in the field of modern and contemporary art and culture, was composed of Mami Kataoka, Chief Curator, Mori Art Museum in Tokyo; Paul Pfeiffer, New York-based multi-media artist; Renaud Proch, Executive Director, Independent Curators International; Cid Reyes, respected critic, artist, and writer; Felipe M. de Leon, Jr. NCCA Chairman; and Senator Loren Legarda, principal advocate and visionary behind the Philippine participation at the Venice Biennale. The panel deliberated on sixteen (16) proposals for two days from September 4 to 5, 2014, at the NCCA Boardroom in Intramuros, Manila.
Flores鈥 curatorial concept is a poetic and political reflection on the history of world making, the links between geography and politics, and the notions of nation, territory, and archipelago. 听It foregrounds the extensities of the Philippines, a foil perhaps to the more aggressive instincts of expansion around us 鈥 in the past and in 鈥減resent passing.鈥
Tie A String Around the World revolves around Manuel Conde鈥檚 1950 filmGenghis Khan, co-written and designed by Carlos Francisco, screened at the Museum of Modern Art and at the Venice Film Festival in 1952, where it competed with the films of Chaplin, Clement, Fellini, Bergman, and Mizoguchi. The said film tells the story of the young Genghis Khan, his passage into the life of a warrior. It ends with the conqueror, perched on a mountain, casting his magisterial gaze over his dominion and promising his woman to 鈥渢ie a string around the world鈥 and lay it at her feet. This is a tale of the 鈥渒ing of kings鈥 and the formation of empires that have strung the islands of the world. Genghis Khan鈥檚 empire stretched from the Pacific to Europe, the largest contiguous realm ever.
The newly restored film Genghis Khan will be exhibited at the Pavilion and will be positioned in conversation with the contemporary art projects of intermedia artist Jose Tence Ruiz and filmmaker Mariano Montelibano III. The Pavilion seeks to initiate discussion on the history of the sea and its relationship with the current world, claims to patrimony, and the struggle of nation-states over vast and intensely contested nature. It locates the Philippines in the world through its deep ties to ancient cultures, its precocious modern art, and the critical responses of contemporary art to present predicaments. Through the work of artists across generations, this history is told as a history of art and a history of the world.
The panel of jurors was impressed with the quality of most of the 16 submissions. They thought that most of the proposals were intellectually remarkable.
After a 2-day deliberation, the discussions came down to three strong proposals. Ultimately, the jury deemed Flores鈥 proposal the most fitting for the country鈥檚 return to contemporary art world鈥檚 first and oldest biennale after a 50-year hiatus.
Flores is Professor at the University of the Philippines Department of Art Studies and Curator of the Vargas Museum. He is Adjunct Curator of the National Art Gallery, Singapore, a member of the Guggenheim Museum鈥檚 Asian Art Council, and a guest scholar of the Getty Research Institute in 2014.
The Venice Art Biennale will open on May 9 and will run until November 22, 2015.鈥 听听
Photo credit: Dr. Patrick Flores鈥 Facebook
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